September 29, 2008

Aquarium of the Pacific - Long Beach

So, it's been almost two weeks since we went.... I'm just now posting about it and getting the pictures uploaded. September 16th was Grumpy Old Men Senior's Day at the Aquarium of the Pacific in Long Beach. Anyone, fifty or older, got in for free. I didn't qualify, of course. Mike got in for free, but I had to buy a ticket for me and Teresa. Anyway, here are pictures:

Posted by Valkyre at 10:10 PM | Comments (0)

September 27, 2008

Paul Newman 1925 - 2008

One of the few actors who has aged well. He will be missed:

Article here

Actor Paul Newman dies at 83

The blue-eyed star of 'The Hustler,' 'Cool Hand Luke' and 'Butch Cassidy and the Sundance Kid' was at home. He had long battled cancer.

By Lynn Smith, Los Angeles Times Staff Writer

6:37 PM PDT, September 27, 2008

Paul Newman, the legendary movie star and irreverent cultural icon who created a model philanthropy fueled by profits from a salad dressing that became nearly as famous as he was, has died. He was 83.

Newman died Friday at his home near Westport, Conn., after a long battle with cancer, publicist Jeff Sanderson said.

Stunningly handsome, Newman maintained his superstar status while keeping his distance from its corrupting influences through nearly 100 Broadway, television and movie roles. As an actor and director, he evolved into Hollywood's elder statesman, admired off screen for his quiet generosity, unconventional business sense, race car daring, political activism and enduring marriage to actress Joanne Woodward.

Annoyed by the public's fascination with his resemblance to a Roman statue and his Windex-blue eyes, Newman often chose offbeat character roles. In the 1960s, he helped define the American anti-hero and became identified with the charming misfits, cads and con men in film classics such as "The Hustler," "Hud," "Cool Hand Luke" and "Butch Cassidy and the Sundance Kid."

"It's a great loss, in so many ways," Martin Scorsese, who directed Newman in "The Color of Money," said in a statement Saturday. "The history of movies without Paul Newman? It's unthinkable. . . . His powerful eloquence, his consummate sense of craft, so consummate that you didn't see any sense of effort up there on the screen, set a new standard."

Robert Redford, Newman's "Sundance" co-star, said in a statement, "There is a point where feelings go beyond words. I have lost a real friend. My life -- and this country -- is better for his being in it."

Newman's poker-game look in "The Sting" -- cunning, watchful, removed, amused, confident, alert -- summed up his power as a person and actor, said Stewart Stern, a screenwriter and longtime friend.

"You never see the whole deck. There's always some card somewhere he may or may not play," Stern said. "Maybe he doesn't even have it."

Newman claimed his success came less from natural talent than from hard work, luck and the tenacity of a terrier.

"Acting," he once said, "is really nothing but exploring certain facets of your own personality trying to become someone else." In early films, he said, he tried to make himself fit the character but later aimed "to make the character come to me."

The actor was proudest, friends say, of his later Oscar-nominated roles in "Absence of Malice," "The Verdict" and "Nobody's Fool," in which he dug deep into the complex emotions of ordinary men struggling for dignity, justice or a sense of connection. In 2003, he was nominated for an Oscar for his last feature film appearance, as a conflicted mob boss in "Road to Perdition." Two years later, at 80, he won an Emmy for playing a meddlesome father in "Empire Falls."

"He's a majestic figure in the world of acting," said director Arthur Penn, who worked with him in his early career. "He did everything and did it well."

Part of a generation of edgy, naturalistic New York actors who changed Hollywood in the '50s and '60s, Newman was often compared with fellow Method actors Marlon Brando and James Dean. Film critic David Ansen once observed that if the trim actor lacked the others' physical or psychic presence, he was more approachable, even when he played a heel.

"Newman," Ansen wrote, "is our great middleweight movie star."

Nominated eight times for Academy Awards in the best-actor category, Newman won only once, for "The Color of Money" (1986), in which he reprised the role of "Fast" Eddie Felson that he originated in 1961's "The Hustler." He also took home honorary Oscars in 1985 for career achievement and in 1993 for his humanitarian efforts. In later years, however, he boycotted awards shows despite continuing Oscar, Emmy and Tony nominations. He claimed he no longer owned a tuxedo.

In real life, Newman was "the quintessence of class, courtly without being old-fashioned," said Victor Navasky, former editor of the Nation, a liberal magazine in which Newman invested and for which he wrote occasional columns. Private and complex, Newman was also a mischievous beer-loving prankster and an idealist who took to the streets to protest the war in Vietnam.

He was thrilled, friends said, when he heard that he had made President Nixon's enemies list.

Married since 1958 to Woodward, his second wife, Newman cultivated a distinctly un-Hollywood lifestyle, shuttling between a homey New York apartment and a renovated farmhouse in woodsy Westport, from which he pursued passions that included cooking and auto racing.

Highly competitive, Newman was drawn to the track, he told reporters, because in racing, unlike acting, the definition of "good" is not a murky matter of opinion. Although he began to race at 47, he was respected by his sport's peers, and his team placed second in the prestigious Le Mans endurance contest in 1979. At 70, he became the oldest driver to place in a professionally sanctioned auto race when his team took third in the 24-hour race at Daytona, Fla. Still racing into his 80s, Newman escaped uninjured from a car fire in 2005 and entered another race a month later.

Since the 1980s, Newman had devoted more time to Newman's Own, a food products company he founded as a lark that grew into one of the nation's largest charitable organizations. The company, which produces all-natural salad dressings, popcorn, sauces and lemonade, has turned over more than $250 million in after-tax profits to hundreds of groups, including his own Hole in the Wall Gang camps (named after the outlaw gang in "Butch Cassidy").

Friends said Newman abhorred what he called "noisy philanthropy." He felt the awards and honors offered him were excessive and once declined a national medal in a letter to President Clinton, calling such recognition "honorrhea."

When people would say, " 'What a mensch you are,' he would always denigrate himself," said friend Alice Trillin. To friends, Newman was open, if vague, about not always having lived an exemplary life. Exceptionally tolerant of others' foibles, he said, "I used to be a fool myself."

A late bloomer

Friends and neighbors in the Cleveland suburb of Shaker Heights might not have foreseen a future as a sex symbol for Paul Leonard Newman, the late-blooming second son of a sporting goods store owner.

Born Jan. 26, 1925, Newman was too short and scrawny to play football or baseball and once said he regularly had "the bejesus kicked out" of him in school. He was encouraged in the arts by an uncle who wrote poetry and by his mother, who taught him to appreciate music and books and shared details of theater shows she had seen.

Though he acted in elementary and high school plays to the delight of his family, he said his father, a strict, hard-working former journalist, considered him a lightweight and often treated him as if he were disappointed in him.

"I desperately wanted to show him that somehow, somewhere along the line, I could cut the mustard," Newman told Time magazine in 1982. One of the great agonies of his life, he said, was that his father died in 1950 without seeing his success.

At 18, Newman enlisted in the Navy, hoping to become a pilot in World War II, but he was rejected for being color blind. He spent three years as a radio operator aboard bombers in the Pacific.

Afterward, he enrolled as a 21-year-old freshman at Kenyon College in Gambier, Ohio, where he spent some of his happiest days, playing second-string football, drinking beer and getting into trouble. After a barroom brawl landed him in jail, he was kicked off the team. He turned to acting.

"I was probably one of the worst college actors at the time," Newman said years later. "I learned my lines by rote and simply said them without spontaneity, without knowing what it meant to act and react."

However, novelist E.L. Doctorow, a Kenyon freshman at the time, recalled that "there was no question about his talent." He said Newman was popular for being the leading actor on campus and for the laundry concession he operated.

"He was always entrepreneurial," Doctorow said.

After graduating with a degree in English, Newman acted in summer and winter stock productions in Wisconsin and Illinois, thinking he might eventually teach speech or drama. By then, he had married Jacqueline Witte, a fellow actor, with whom he had three children: Scott, Susan and Stephanie. Scott died in 1978 of an overdose of drugs and alcohol.

When his father died in 1950, Newman moved home to run the sporting goods store. A year later, the store was sold and he fled to New Haven, Conn., where he briefly studied drama at Yale University, specializing in directing, before trying his luck in New York.

"I was prepared to try it for a year and, if I got nowhere, to go back to Yale and get my degree," he told Lillian and Helen Ross in the book "The Player: A Profile of an Art." "I had no intention of waiting around till I was old and bruised and bitter."

In New York, then the center of live television and the home of the Actors Studio, Newman picked up lessons in Method acting, a technique that stressed naturalism, while he auditioned for parts and sold encyclopedias to support his family. He later attributed everything he knew about acting to the creative community of actors, writers and directors at the studio. Later, he was president and, though it was never made public, financed the institution's operations for seven years when it fell on hard times.

Described as "gorgeous and intense," the young Newman quickly found small parts in television shows, including "You Are There," as well as a role as a rich college graduate in the Broadway production of "Picnic," in which Woodward was an understudy. When he asked to play the lead, a sexy braggart, director Joshua Logan said the actor was unsuitable because he lacked any "sexual threat" -- a challenge Newman met by embarking on a lifelong routine of vigorous workouts to stay in shape.

His marriage deteriorated as he began to attract work and positive reviews while his wife's priorities shifted to the children, according to friends. Newman fell into a period of turmoil in which he and Woodward began an affair.

He was arrested once for running a red light, driving into a bush and leaving the scene of an accident. The breakup of his marriage was drawn out, Stern said, because Newman was so concerned about being fair to his wife and children.

His first wife obtained a divorce in Mexico in 1957. A year later, Newman and Woodward married, forming a lasting match that Newman attributed to "correct amounts of lust and respect." The couple had three daughters, Nell, Melissa and Clea.

Despite later rumors that not all was well in their marriage, Stern said they were committed and honored each other's choices in life. Although Woodward once quipped that "a mind is a terrible thing to waste on a Trans Am," Stern said, "they had real reverence for each other's talents and pursuits and idiosyncrasies."

Together they appeared in 11 films, including "The Long Hot Summer," "From the Terrace" and "Mr. and Mrs. Bridge." Newman also directed her in four other films, including the highly respected "Rachel, Rachel," about a schoolteacher whose fears keep her trapped in a small town.

Stern, author of that film's screenplay, said he sometimes observed Newman watching his wife do something that moved him.

"It was the most exposed face of love I've ever looked at," he said. "You couldn't look at it long. It was like opening the wrong door."

Hollywood studios recruited Newman in 1954, at a time when the film industry, threatened by live television, hired many of New York's most creative actors, directors and writers. According to Penn, Newman "was emblematic of what was coming, the demand for independence that the next generation brought."

At first, however, Newman, the serious actor, could not avoid beefcake roles because his looks were so devastating. When people saw him, Penn said, they "just fell away."

Newman was particularly humiliated by his first film, "The Silver Chalice," in which he was cast as a toga-clad Greek sculptor with stilted lines. When the film aired for a week in 1963 on television, he took out a black-bordered ad in The Times that said, "Paul Newman apologizes every night this week."

Determined not to be just a pretty-boy player for the studio, Newman was among the first actors to buy out his contract with Warner Bros. and later formed his own production companies with colleagues. Newman's penchant for playing a variety of roles reflected "his imagination and his willingness to take a flier," filmmaker John Huston wrote in his memoir, "An Open Book."

The price was a career checkered with miscasting and forgettable roles, including a jazz musician in "Paris Blues," a turn-of-the-century anarchist in "Lady L" and a double agent in "Torn Curtain."

Critics and audiences loved him, however, when he played moody Southerners in films based on Tennessee Williams' plays "Cat on a Hot Tin Roof" and "Sweet Bird of Youth." Newman's scheming pool shark in "The Hustler" began a streak of roles that film historians have hailed as capturing the essence of the postwar American man: cool, cynical and confident while the known world of traditional values crumbles around him.

Newman became so popular that he complained later that audiences and critics missed the point in "Hud," a film in which he portrayed the amoral, insolent son of an embattled rancher. Instead of seeing Hud as tragically flawed character who cared only for himself, audiences adored him. He became an anti-hero, especially among teenagers.

Newman struck another nerve in 1967 with "Cool Hand Luke," in which he played a defiant prisoner on a chain gang harassed by sadistic guards. A memorable scene in which Luke wins a bet by eating 50 hard-boiled eggs triggered egg-eating contests at colleges and among soldiers in Vietnam.

In 1969, when he was Hollywood's most popular leading actor, Newman teamed with Redford in "Butch Cassidy and the Sundance Kid," a movie about two affable bandits who had outlived their time. The highest-grossing Western in motion picture history, the film highlighted the handsome duo's comic timing. Fans loved the pair's jump off a cliff and still associate the song, "Raindrops Keep Falling on My Head" with Newman's bicycle stunts.

Redford said it was the most fun on a film he had ever had, and the film cemented a lifelong friendship between the two actors.

Out of Beverly Hills

If Newman hadn't moved his family away from the glamour and materialism of Beverly Hills to Westport in 1962, he told biographer Eric Lax, he might never have taken up the other things that made his life exciting: politics, racing and a home-grown business.

"It is only when you're away from California that you cannot take yourself seriously" as a movie star, he said.

Throughout the '60s, Newman took high-profile stands against the war in Vietnam. In 1968, he campaigned for antiwar candidate Sen. Eugene McCarthy and was a Connecticut delegate to the Democratic National Convention. The next year, he and Woodward joined an antiwar demonstration in front of the American Embassy in London.

Newman knew his actions were not always popular, and he told the New York Times Magazine in 1966, "A person without character has no enemies." Friends said he was delighted in 1973 when he was listed as No. 19 on Nixon's enemies list, claiming it elevated him in the eyes of his children.

Newman argued politics genially, friends said, and openly admired some conservatives. In 1994, he helped his brother Arthur, a staunch Republican, wage a successful campaign for a City Council seat in Rancho Mirage.

In the late '70s, bored with acting, Newman fell into a slump that paved the way for what has been called one of the most successful career transitions in movie history.

Intrigued by racing after making the film "Winning" in 1969, Newman began planning film shoots around his racing schedule. His focus, athleticism and knowledge quickly won over skeptics who were used to dilettante actors hanging around the track, said champion driver Mario Andretti.

"If he would have started earlier, he would have been just as successful as his acting, no question," Andretti said. When Newman formed his own team, the Newman-Haas Hass Indy Car, Andretti raced for him for 12 years.

Reinvigorated, Newman returned to acting, exploring character roles with new and unexpected depth. Critic Pauline Kael called Newman's portrayal of a washed-up ice hockey coach in "Slap Shot," a 1977 comedy, "casual American star-acting at its peak." In the 1980s, he became active in the Actors Studio in New York, contributing funds and serving as president of the board.

In 1981, Newman was nominated for an Oscar for his role in "Absence of Malice," as a businessman libeled by Sally Field's gung-ho young reporter, whose story leads to his friend's suicide.

Another nomination followed for his portrayal of an alcoholic lawyer redeemed by his pursuit of justice in 1982's "The Verdict."

When Newman finally won an Oscar in 1986 for "The Color of Money," it was neither his nor director Scorsese's best effort and was seen by some observers as compensation for having been overlooked in "The Hustler."

Wanting to avoid another public defeat, Newman stayed home for the ceremony. Later, he said of the win: "It's like chasing a beautiful woman for 80 years. She finally relents and you say, 'I'm terribly sorry, I'm tired.' "

His real-life role as a model Hollywood philanthropist began just before Christmas 1980 when he and his friend A.E. Hotchner made a batch of salad dressing in a bathtub to bottle for friends.

Newman was as much a perfectionist about his cooking as his art, friends said. "He knew the exact amount of fat that goes into the perfect hamburger," Stern said. "In his salads, he sliced the celery the exact width."

In restaurants, Newman was known to ask for olive oil, vinegar, chopped celery, salt, pepper and mustard to make his own dressing. On one occasion, when waiters at the legendary Beverly Hills restaurant Chasen's wouldn't comply, he took the salad into the men's room and washed their dressing off. "They brought the stuff he wanted, and he made the dressing," Stern said.

Newman told reporters he never imagined the dressing would be sold nationally, but after the Christmas leftovers were given to gourmet shops, the lark became a challenge.

When it became clear the dressing could make a profitable business, especially with his face on the label, Newman decided to give back some of what luck and the world had given him.

"It was a spur-of-the-moment thing -- 'Let's just do this and give it all away,' " his daughter Nell told the New York Times in 1998.

Newman and Hotchner wrote witty labels to go with the company's motto: "Shameless exploitation in pursuit of the common good," which later became the name of their book that describes their adventures in business.

The company grew to produce many products, including popcorn, salsas, pasta sauces, marinades and Woodward's "Old Fashioned Roadside Virgin Lemonade."

In 2006, he opened Dressing Room: A Homegrown Restaurant to benefit the Westport Country Playhouse, one of Newman and Woodward's favorite projects.

As a result of his business success, Newman donated more than $250 million to 1,000 groups, including the Scott Newman Center devoted to anti-drug education and several Hole in the Wall Gang camps, designed for children with life-threatening diseases, with locations in France, Ireland and Israel as well as the U.S. Every summer, Newman stayed at the original camp in Ashford, Conn., where he told ghost stories and staged shows with other celebrities for children who knew him only as the face on the lemonade carton.

"If I leave a legacy," he said in 2006, "it will be the camps."

This year, he turned up at a meeting of parents and children at the first camp and reportedly said: "I wanted to acknowledge luck. The beneficence of it in many lives and the brutality of it in the lives of others, especially children, who might not have a lifetime to make up for it."

Rather than hiring grant officers, friends say, Newman and Hotchner choose the charities themselves in a casual way. Newman once wrote a check on the spot for someone who knocked on his door saying the local fire department needed a new fire engine, said Navasky, the Nation magazine editor.

Despite his fears that actors risk corruption by placing a "premium on appearance," Newman valued keeping himself fit. He did push ups and ran up and down stairs until he was 80. He soaked his face in ice water or would swim in a cold lake when he could.

Newman played sexy senior roles into his 70s with films such as "Twilight" and moved on to cantankerous father parts in "Message in a Bottle" and the TV film "Empire Falls." He was nominated for a Tony as the stage manager in a Broadway revival of "Our Town" and an Emmy for a taped TV version.

After "Road to Perdition," he did voice work for the animated film "Cars" in 2006.

Newman didn't hide his disappointment that filmmaking had abandoned the "theater of the mind" for the "theater of the senses." He lamented that skyrocketing costs had increased the pressure on actors, writers and producers who could no longer afford to make mistakes and be part of a "growing-up process."

In 1997, he hinted he was struggling, explaining to National Public Radio's Daniel Zwerdling that "sometimes you begin to lose your center. . . . You become a collection of the successful mannerisms of the characters you play. . . . What you try to do is get rid of those successful mannerisms, get back to what you are at the core of your own personality."

In 2007, Newman announced his decision to retire, saying he'd lost confidence in his abilities, that acting was "pretty much a closed book for me."

Besides Doc Hudson, the animated Hornet voiced by Newman in the film "Cars," he called the role of Sully in 1994's "Nobody's Fool" the closest he had come to playing himself. Critics called Sully a "classic Newman type" -- an aging version of a witty loner who keeps friends and family at a distance to protect himself. A bond with his fearful little grandson opens up the possibility of becoming more involved with an estranged son and the rest of the community.

"The most Paul moment," Stern said, "is when he sees the crazy lady down the street and offers his arm and walks her back home as if she were a queen. That's how I'll always remember Paul: dignifying other people."

In addition to his wife of 50 years, Newman is survived by daughters Susan, Stephanie, Nell, Melissa and Clea; two grandchildren; and his brother Arthur.

His family suggests donations in his name to the Assn. of Hole in the Wall Camps. Information:

Posted by Valkyre at 08:51 PM | Comments (0)

September 26, 2008

No Wonder Why People Despise Lawyers

I posted about this here and here and here.

These are links to the story about the elderly woman, who was raped, sodomized and beaten to death, just a few blocks from where we live. Today, the PoS, went before the judge for his preliminary hearing. If you wonder what his lawyer is going to use as part of his defense, I give you the following quote:

Candler's attorney, Deputy Public Defender John Alan, questioned the medical examiner about whether consensual sex could have caused the genital injuries..

Consensual sex!? Did she also consent to having her skull fractured!? It's no wonder that people consider lawyers pond scum. I know that the guy is entitled to a fair trial, but to imply that the wounds may have been caused by "consensual sex"!? I feel terrible for her family. Having to sit in and hear all this.

The complete article will be in the extended entry:

Elderly slaying victim was raped, coroner says

By Denise Nix, Staff Writer

Article Launched: 09/25/2008 11:12:48 PM PDT

An elderly El Camino Village woman was raped and sodomized just before she was killed, a deputy medical examiner testified Thursday.

Dr. Ajay Panchal of the Los Angeles County Coroner's Office said Severa Madrona, 76, had fresh bruises and abrasions on many body parts.

Madrona's death on Sept. 18, 2007, was the result of blunt force trauma to the head, Panchal said, adding that her skull was fractured in four places. The most severe head injury was a 6-inch fracture at the base of her skull, he said.

Panchal was called to the witness stand by Deputy District Attorney Michael Gargiulo, head of the Elder Abuse Section, during a preliminary hearing in Torrance Superior Court for 25-year-old Thedward Candler.

The ex-convict from Gardena is charged with capital murder for Madrona's slaying. The hearing did not conclude Thursday, and was scheduled to continue Oct. 9.

Still to testify are DNA experts who are expected to link Candler to forensic evidence collected from Madrona.

Candler's attorney, Deputy Public Defender John Alan, questioned the medical examiner about whether consensual sex could have caused the genital injuries.

Most of them, Panchal said, are not consistent with consensual sex.

Another witness who testified Thursday was Pornchai Maichaimongkol, who said he was awakened around 7 a.m. the day of the crime by a noise outside his home in the 3100 block of West 152 nd Place.

He punched his fist into his hand several times to illustrate to Superior Court Judge Laura Ellison the thumping noise he heard.

Maichaimongkol opened his door and saw a woman, bloodied and gasping for breath, lying in his yard.

Madrona, a great-grandmother who lived with family a few blocks away, was on her morning walk when she was attacked.

It appeared from marks in the dirt outside the yard that she was dragged, testified one of the first sheriff's deputies to arrive.

Madrona's family reported her missing later that night.

Candler was arrested and charged about a month later. Investigators were led to him after matching DNA from the crime scene to a sample from Candler in the state's law enforcement database.

Candler's DNA was included after he was convicted for assault with a deadly weapon in 2001. He was sentenced to seven years and was paroled on Aug. 12, 2007, after serving six years.

Because he is charged with murder and the special circumstance allegation of killing during a rape and sodomy, Candler could face the death penalty.

Prosecutors will decide later whether they will seek capital punishment.

Candler appeared in court with his hands and feet in shackles. When the defense attorney asked Ellison to have the restraints removed, a bailiff informed the judge that escape plans were found in Candler's jail cell at Twin Towers.

Ellison would not allow him to be uncuffed.

Posted by Valkyre at 11:38 PM | Comments (0)

September 23, 2008

22 Roses...

...22 years

Happy Anniversary Mike!

Posted by Valkyre at 09:34 PM | Comments (1)

September 19, 2008

Maybe This Will Help

Hopefully, by upping the reward, they might catch the scum who killed that poor little dog:

Article here

Reward for pet killer raised

SOUTHWEST MIAMI-DADE, Fla. (WSVN) -- An animal rights group and Crimestoppers have teamed up to nab a cruel killer.

PETA is offering a $3,500 reward to catch whoever is responsible for viciously killing a family's pet Monday.

The homeowners found their 2-year-old terrier mix Issa violently stabbed in their yard in Southwest Miami-Dade.

Cruel messages were also scribbled on a door in their backyard and their front door.

If you have any information on this violent murder, call Miami-Dade Crime Stoppers at 305-471-TIPS. Remember, you can always remain anonymous, and you may be eligible for a reward.

Posted by Valkyre at 10:40 PM | Comments (0)

September 18, 2008

They Need to Find This Guy

This is a terrible story. It's bad enough what he did to the poor dog. But then, to mock the family. I feel terrible about what the dog had to suffer through. Then, the poor seven year old boy who lost his companion. And, in such a brutal way. The person who did this is a sick twisted individual who needs to be off the streets.

Article here.

Intruder kills family dog, leaves cruel messages

SOUTHWEST MIAMI-DADE, Fla. (WSVN) -- A little boy was left heartbroken after someone trespassed into his family's yard, killed his dog and left handwritten notes with mocking messages throughout the scene.

Issa was 7-year-old Germer Aguilar's best friend. "Yesterday I was playing with her," he said. "I threw the bone, and then she caught it."

When Aguilar's mother arrived to her home on Southwest 109 Court, Monday, she found blood stains on the patio and a note scribbled on the shed saying things like "Ha, ha, ha! I had fun!" In the grass she spotted the nearly 2-year-old terrier mix's bed and, farther away, her collar. Then she would find the little dog's black and white body, on the other side of her chain-linked fence, in her neighbor's yard.

"It's like saying, 'See, there's your dog,'" said Jose Orellana, a young relative of the family. Blood was also found inside the shed, which also had a smiley face scrawled on it as well as "bow wow."

Miami-Dade Police don't know if Issa was dumped in the neighbor's yard or somehow crawled there before she died. "It disgusts me, the person that did this. It's just sickening," said Orellana. "I don't think that they were in their right minds. It's just disgusting. How would someone torture an innocent dog? She's just playful. She wouldn't do anything wrong to anybody."

"The people who did this, I just think that they should go to jail," added Alfredo Davis Jr., a young neighbor of the family.

Late into Monday evening, detectives remained at the home to find out who killed the dog, which the family received as a gift from a relative. "I feel sad for my dog," Aguilar said, "cause I can't play with somebody else now."

When asked what he would tell the killers if he had the opportunity he said, "I think I would say, 'Don't do this. If you do this, you go to hell.'"

If you have any information that can help police, call Miami-Dade Crime Stoppers at 305-471-TIPS. Remember, you can always remain anonymous, and you may be eligible for a reward.

Posted by Valkyre at 01:03 PM | Comments (0)

September 06, 2008

Winchester Mystery House Garden and Basement Tour

Took me long enough to get around to posting this. Sorry about the crappy pano shot. I just wanted a picture that would show the whole front of the house. Thanks for cleaning it up, Mike!

After the tour of the inside of the house, came Basement and Garden tour. There were only four of us. Children under a certain age aren't allowed to take the basement tour.

It started out with a tour of the stable and some of the outbuildings on the property. We also got to the the greenhouse, which is absolutely beautiful from the outside:

Sarah Winchester also made sure the guard dogs, for the property, were well taken care of. This was their doghouse:

You can see the grave markers, just off to the right, in the above photo. After we toured most of the outbuildings, we were brought around towards the front of the house and the gardens. This is a sideview of the house. Would be the left hand side, if you are facing the front. Just behind the palm tree, you can see the Door to Nowhere, on the second story.

This is a shot of some of the trees, in the garden:

Here is a view of the front gates. The street out front is Winchester Boulevard:

This is a shot of the front entrance:

And a close up of the front doors:

Two views of the house from the right hand side:

Then it was on to the basement. We had to wear hard hats, for this part of the tour. This was the only shot I got of our group going into the basement, unfortunately, it's blurry:

This is a shot of Mike standing up in the basement. He's 5'8". The basement was retrofitted with some pipes that hung down and meant we had to duck a lot. I'm 6' 1" and it was difficult for me. The other gentleman in our group was even taller and he hit his head several times. Good thing we were wearing those hard hats:

This is a look of the foundation of the house. When I saw this, I remember what our guide said while we toured the inside of the house. Winchester Mystery House was only 10 miles from the epicenter of the 1989 San Francisco Earthquake. I would not have wanted to be under that house huge during an earthquake:

As I posted earlier, there were 47 fireplaces inside the house. It would have been difficult for them all to be cleaned. It would have taken days. So, she had several fireplaces dump their ashes into one chute. And that chute would end up in the basement. I think there were a total of 7 chutes, which made it easier to clean. This is a pile of ash that is left over from the days when Sarah Winchester occupied the house:

After we exited the basement, there were a couple of more behind the scenes areas we toured. When the house was added onto, outside walls were not torn down. Instead they built around them. If you look closely through this framing, you can see the outside windows that were enclosed. This was part of the unfinished ballroom.:

Well, that concludes my tour. I wish I had brought along my laptop, so I could have dumped my pictures and taken even more. I ended up filling both cards. Oh well, that gives me a reason to go back. Mike and I would really like to go back on either Friday the 13th, or around Halloween, when they do night time flashlight tours.

Posted by Valkyre at 04:06 PM | Comments (0)